Ouija: Origin of Evil is a 2016 American supernatural horror film directed and edited by Mike Flanagan and written by Flanagan and Jeff Howard. The film is a prequel to the 2014 film Ouija and stars Elizabeth Reaser, Annalise Basso, Lulu Wilson, Parker Mack, and Henry Thomas. The film’s plot focuses on a widow and her family adding a Ouija board to their phony seance business where, unbeknownst to them, they invite a spirit that possesses the youngest daughter.
In Ouija: Origin of Evil, 1965 Los Angeles, a widowed mother and her two daughters add a new stunt to bolster their séance scam business and unwittingly invite authentic evil into their home. When the youngest daughter is overtaken by the merciless spirit, this small family confronts unthinkable fears to save her and send her possessor back to the other side.
In 1967 Los Angeles, a widow named Alice Zander works out of her suburban home as a spiritual medium, accompanied by her daughters, 15-year-old Paulina “Lina” and 9-year old Doris. The family is still reeling over the recent death of Roger, Alice’s husband and the kids’ father. At Lina’s suggestion, Alice incorporates a Ouija board into her readings. While trying out the board, she unknowingly contacts a spirit named Marcus that begins to possess Doris.
Alice receives a notice that the bank intends to foreclose on their home. Doris contacts the board for help, believing she is communicating with her dead father. The spirit leads her to a secret compartment behind the basement wall containing a pouch of cash. When she gives the money to her mother, the family has an Ouija session, believing they can contact Roger. When the board answers a question only Roger would know the answer to, a thrilled Alice begins believing that they are in contact with her dead husband.
Soon, Doris becomes possessed by a shadowy spirit. Lina, who is becoming disturbed by the changes in her sister, finds papers written by Doris in fluent Polish, a language she does not know, and brings them to Father Tom to translate. Troubled, Father Tom visits them for a Ouija session under the pretense of contacting his dead wife Gloria. Although the session appears to be successful, Father Tom later explains to Alice and Lina that Doris did not contact Gloria. Instead, for every question he asked, she read his thoughts and repeated the answers he was thinking in his mind. He reveals that the pages are entries written by a Polish immigrant named Marcus, who was taken captive during World War II by a sadistic doctor who conducted experiments on him and other captives inside the house’s basement. These spirits knew answers that only Roger would know because they have been watching the family since the day they moved in.